Event

Choir conductor of the Year 2021 - Bengt Ollén We in Sofia Vokalensemble are incredibly proud that Bengt has today been named choir conductor of the year 2021! "Today is a day of joy when I have been awarded the scholarship" Choir Conductor of the Year "by the Rosenborg-Gehrman Foundation and the Swedish Choir Leaders' Association. (Föreningen Sveriges Körledare). I am proud and happy and feel very honored," says Bengt. Congratulations Bengt! The full motivation below: "Choir Leader of the Year is a person who, through his great love for and knowledge of both music and people, has greatly contributed to consolidating Sweden's position as a choir nation to be reckoned with. Through a long work in the service of choral music, this year's Choir Leader has maintained a playful and curious approach to choral work and thereby always presented new thinking and current choral experiences - important for both performers and recipients. This year's Choir Leader has established himself as a strong choir personality both nationally and internationally; partly through great success with his own ensemble in various prestigious international competitions, partly through all his assignments as a guest teacher, workshop leader and jury member worldwide. This year's Choir Leader is an ambassador for Swedish choir music, something that all collaborations with composers show. This year's Choir Leader has, with his permissive attitude and great faith in his singers, contributed to the renewal and development of Swedish choir singing. Several generations of young choir singers have been guided through the mysteries of choral music by this dedicated educator. "

Stefan Littmann is a songwriter, composer and keyboard player/pianist from Hannover. Besides working as a live keyboard player for bands such as Strom&Wasser, Joachim Witt and RABEA, he is part of the team at the recording studio Institut für Wohlklangforschung. His musical career started, as most do, playing his mother’s pots and pans and the recorder before he had the first piano lessons at the age of 6. The fascination with music and especially keyboard instruments has remained with him ever since. As a graduate of the Hamburg Conservatory Popkurs and member of countless bands and ensembles, he has been working as a freelancer since 2015. In 2022 he will compose the music for the stage play Ja sind wir denn noch zu retten..? about the forest dieback in the German highland area Harz. With his band Strom&Wasser he will host the environmental protection project Die Rebellion der Gärten, that includes a tour with nearly 100 concerts, lectures and workshops all around Germany. Completing this kind of activism in music, he will participate in the World Choir for Peace Day, offering a workshop and creating an anthem of peace.

Alexander Koller is one of our guest conductors. His choral existence began in Wels, Austria towards the beginning of the 80s. Wolfram Stelzer Children’s Choir Wels, Choir of the Pichl Main School of Music, Choir of the Linz School of Music, Steinhauser Singkreis, Jeunesse Choir Linz, Chorus sine Nomine Vienna, World Youth Choir, Vienna Chamber Choir, Renaissemble, Company of Music, Chamber Choir of Europe, … # chorsingenistgeil Performing contemporary choral music in all its nuanced facets and to captivate young people is one of Alexander Koller’s passions. Hard-Chor Linz, Linz Singakademie, choir of the musical Borg Linz, Vocalmania and the Upper Austrian State Choir, … # conductor Fascinated by the pure, harmonious beauty of the human voice, Alexander Koller lives and works as a choir director, singer and teacher for vocal music.

As well as being a professional singer Norbert works as a music therapist. He will explain the interactions between the body, soul and music and how we can use this to activate our self-healing powers. With insights from psychoneuroimmunology (how psychological processes and the nervous and immune systems interact), music medicine, music therapy, vocal teaching and psychosomatics, Norbert conveyed the great potential that singing has in our lives. It can improve our communication with others and thus shape relationships as well as activate our "body's own pharmacy".

Graduate psychologist, psychiatric psychotherapist, graduate music teacher, 1st chairwoman of Singing Hospitals network. Clinical work from 2004-2018 in the field of psycho-oncology / psychosomatics. She developed a theoretical-methodological foundation of "healing singing", which she has been passing on in seminars and lectures since 2007. Winner of the Hilde Ulrichs Foundation for Parkinson's Research 2018. Own practice.

Jamie studied Music at the University of York and undertook the vocal performance Masters programme at the Royal Academy of Music, graduating with distinction He is Baritone & Vocal Percussionist for the 5-time Grammy award winning group The Swingles and co-founder of the Stay at Home Choir, a 24,000 member global choir, with conductor Tori Longdon. In 2021 Stay at Home Choir won the RPS Inspiration Award. After leaving the Royal Academy of Music, Jamie worked closely with Gareth Malone as an arranger and vocal coach for his two shows, The Naked Choir and Gareth’s Best in Britain, going on to join Gareth in his choir ‘Voices’ for a UK tour and subsequent recordings. As a singer Jamie has performed at the BBC Proms, Shakespeares Globe, and as a soloist at The Barbican for The Britten Sinfonia Voices, and sings at the Tower of London Chapel Royal. He has appeared on numerous film soundtracks as a session singer with London Voices and Audio Network.

Tori Longdon studied at Durham University and the Royal Academy of Music, where she was awarded a distinction for her MA in Choral Conducting. She now directs a number of ensembles around London including the Covent Garden Chorus, and holds the post of International Music Director for the Alpha Choral Courses in Shenzhen, China. ​ Tori is a conductor for the National Youth Choirs of Great Britain and is the co-founder of the 23,000 strong Stay At Home Choir, together with Swingles baritone Jamie Wright. Tori is currently an on-screen conductor for Songs Of Praise on BBC1, as well as an adjudicator for their competitions including ‘Young Choir Of The Year’ and ‘Young Chorister Of The Year’. She appeared on BBC2 as a judge on two series of the ‘The Choir’ with Gareth Malone. She has written several articles for ClassicFM’s online magazine, lectured for the Artist Development course at the Royal Academy of Music in London and interviewed some of Classical music’s most famous names, including Marin Alsop, John Rutter, Sir Karl Jenkins, Cecilia McDowall, Sir James MacMillan and Christopher Tin.

Der Sänger und Singer Songwriter Daniel Denecke begann mit 12 Jahren, erste Songs zu schreiben, und ist seit den 90er Jahren als Musiker aktiv. Er hat im Vorprogramm von Stars wie Whitney Houston, Joe Cocker oder Chris de Burgh gespielt. Denecke ist Audiotherapeut (DSB) und als Empowerment Trainer für hörgeschädigte Menschen und Angehörige tätig. Aufgrund seiner eigenen Hörbeeinträchtigung engagiert er sich in selbst initiierten musikalischen Projekten wie Ear to heart dafür, in Bildungseinrichtungen für das Hören zu sensibilisieren und Barrieren abzubauen. 

Poetisch, witzig, politisch aktuell und musikalisch auf dem Höhepunkt ihres Schaffens, fliegt Suli mit ihrer Musik die ganze Familie ins Weltall und zurück. Von Rock über Folk, Swing und Samba bis zu Reggae. Sie ist die Heldin der Kinder in Grundschulen, die Lieblingsliedermacherin engagierter Eltern und die Frau, die Prinzessin Lilifee getroffen hat. Die einzige Frontfrau einer Rockband in der deutschsprachigen Kinderliederlandschaft singt laut: »Ich hab die Schnauze voll von rosa!«

Nach seinem Masterstudium der Informatik in Hannover wechselte Jonas Althoff in die Cochlea-Implantat-Forschung. Als Doktorand an der Auditory Prosthetic Group der Medizinischen Hochschule Hannover unter Leitung von Prof. Dr. Waldo Nogueira ist ein Forschungsschwerpunkt die Wahrnehmung von instrumentaler klassischer Musik. Ihn beschäftigt, welche Komponenten dieser Musik für Cochlea-Implantat-Benutzer besonders genießbar und welche eher störend wahrgenommen werden, und wie der Musikgenuss mithilfe technischer Möglichkeiten verbessert werden kann.